In the Cut: at Prism Art Space
March 6 @ 8:00 am – March 28 @ 5:00 pm
In the Cut brings together Heather Hogan, Gregory Shilling, and Sandra Cappelletti in an exhibition of low-relief and sculptural works made from painted and cut wood. Rooted in resistance, perseverance, and community, the show runs March 6–28, with open viewing on Fridays from 2-6 PM and Saturdays, 10 AM – 2 PM, an opening reception on March 14 and an artist talk on March 25.
Friday March 6 – Saturday, March 28
Opening reception: Sat. March 14, 6-9 PM
Artist Talk: Wed, March 25, 6:30 PM.
About the Artists
Sandra Cappelletti is a mixed media artist whose work explores the expressive potential of drawing, painting, and sculpture. Through an intuitive and experimental approach, her practice balances material exploration with emotional resonance. She is the artist and owner of Y Street Mini Gallery, a unique “Big Art, Tiny Space” exhibition venue located at 5016 Y Street in Sacramento, where she champions accessible, site-specific art and supports creative dialogue within the local arts community.
Learn more at instagram.com/shcappelletti
Heather Hogan is a Sacramento-based artist, educator, and designer who layers modern and traditional media into colorfully detailed compositions. Her joyful and layered artworks often collage analog materials with digitally-designed elements and community-sourced, upcycled, or unconventional materials. Her artwork has graced the covers of magazines, beautified bike trails and highways, and can be seen in solo and group shows throughout California.
Learn more at tenaciousgoods.com
Gregory Shilling is a Davis-grown painter currently living in Sacramento, working primarily in painting and sculpture, with additional practices in graphic design, mural work, and tattooing. Drawing and painting animals and people from an early age shaped a lifelong focus on the figure, with nature consistently influencing the work. For nearly three decades, he has explored how a single moment can suggest a larger narrative, using the universal language of the body and face to engage the viewer’s imagination. After years of representational work grounded in anatomy, light, and shadow, the practice has evolved toward abstraction through the deconstruction and exaggeration of the figure. Most recently, this exploration has moved off the canvas into sculptural works made from layered, finely cut, sanded, and painted wood, reflecting an evolving process that embraces texture, tactility, and formal freedom.
Learn more at gregoryshilling.com